COMPOSER         IMPROVISER               MULTI INSTRUMENTALIST            EDUCATOR
Christopher is a  a "native"  of  (East) Los Angeles,
"Grew up in Belvedere, between Boyle Heights and Maravilla 
in the county of (EAST) Los Angeles
i.e.,
​not  the city."
(California, USA)
​
His background includes performances in a wide variety 
of musical settings including; 
avant garde
chamber music, 
folkloric music,
indigenous and traditional music of Mexico
Jazz,
percussion ensemble, 
Rock,
soundtracks,
symphonic music,
World Music, 
ZAPPA music
​and cartoon music.(!) 
​with concerts in 28 countries on 5 continents
MENTORS
He attributes his musical growth to his mentors 
Pandit Taranath Rao
John Bergamo
Leonice Shinemann
and Swapan Chaudhuri
where he studied North Indian tabla,
South Indian kanjira, ghatam
and western percussion,
while attending California Institute of the Arts on a full scholarship for 18 months,  
where he was also a member of the (only) award winning 
Cal Arts Percussion Ensemble in 1979 under the direction of Guruji John Bergamo. 

(PLEASE VISIT TABLA/TEACHERS/LIFE LINK for additional info
http://christophergarciamusic.weebly.com/tabla---teacherslife.html

The experience of thousands of hours of rehearsals, performances, recordings,
and tours with a who's who of artists from very different genres with very different
vernaculars and very different resonances continues to inform his performances

CLICK on the link below  for previous performances
COMPOSER
 as a composer he continues to receive commissions for
indigenous instruments of Mexico/Mesoamerica
or
percussion of India
with
classical guitar
pedal harp
percussion ensembles
piano forte
sarode
sitar
surbahar
string quartet
woodwind quintet 

​MULTI INSTRUMENTALIST/IMPROVISER
He continues to be in demand with a career 
​with
drumset,
​marimba, 
percussion instruments of North and South India including:
tabla,
kanjira,
and
ghatam,
along with indigenous percussion instruments of various regions of Mexoamerica/Mexico including:
atecocolli,
ayacaxtli,
baa wehai,
huilacapiztli
tlapan huehuetl,
teponaztli
tlapitzalli
and baa wehai,
employing extended techniques
​using fingers, hands and stickings in a variety of jazz,
rock and world music settings. 
EDUCATOR
As an educator continues to give interactive informances in

composition

improvisation and its different vernaculars

breath, string and percussion instruments of indigenous  Mesoamerica/Mexico Aztec/Mexica/Mayan/Raramuri/Yaqui

percussion instruments of north and south India

rhythm and percussion instruments of the world and more

along with coaching percussion ensembles 
for chamber and symphonic performances
and as a featured soloist 

and as a resource for composers about the mechanics of composing for and playing percussion 

working with their percussion sections and sharing techniques of playing non western instruments
which do not respond the way that western orchestral percussionists are accustomed to

and sharing his experience with the beauty and the nature of the resonance and silence 
of music with all ages, ethnicities and cultures in musical and non musical settings

His website on indigenous instruments of Mexico and various YOUTUBES demonstrating 
the instruments in solo and ensemble settings continues to be acknowledged
as an excellent educational overview to these instruments,
their histories and performance practices
with 150,000 views as of this writing
and his website continues to have over 2,000 monthly visits 
His passion for music and its many facets,
composing,
cultivatin,
learning,
nurturing
refining,
​and teaching it,
is always in a precarious never ending balance with his passion
for the SUPREME,  FAMILIA and his MUSIC

by the grace of 
the CREATOR,
his mentors,
collaborators,
colleagues,
the love of music,
emotional support from his familia
and lots and lots of hard work
his work  continues worldwide .....................
​